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“He Told Me I Couldn’t Act!” Michael Douglas on working with Oliver Stone, what’s missing in Hollywood today, and that scene in Fatal Attraction

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Let It Be With the release of a new John Lennon demo, it may be time for the band to finally let it be.


Candidly Speaking As Richard Avedon takes center stage in a new book, exhibition, and documentary this fall, two longtime aficionados discuss why his images still loom so large

Guess Who’s Coming to Dinner Andrew Mountbatten-Windsor may be a public disgrace—but England’s aristocrats won’t let that spoil their supper plans

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Mother Dearest Emmanuel Carrère’s Prix Médicis–winning Kolkhoz, about his mother Hélène Carrère d’Encausse, is less a reconciliation than a sly takedown

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Peak Television Scott Meslow’s A Place Both Wonderful and Strange goes inside the making of David Lynch’s surrealist drama, which counted Queen Elizabeth and Mikhail Gorbachev among its fans

He Wore Blue Velvet Kyle MacLachlan’s new memoir, Fictional Selves, is part career retrospective, part autobiography, part love letter to David Lynch, his mentor and most important collaborator


Schmuck You Hollywood agent Ari Emanuel’s new memoir, Roll the Calls, chronicles his relentless empire-building but is conspicuously lacking in self-reflection

The Cincinnati Kid An exhibition in the Queen City pays homage to the town’s favorite adopted son, Charley Harper, the nature artist who gave birds, bugs, and beasts a midcentury makeover

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Guest Edit

Pom Harrington’s Favorite Things Having spent a lifetime handling the world’s most remarkable books, the adviser and collector now makes a living finding extraordinary editions for others. Here, what he wants for himself

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Dusk of the Ump Baseball umpires are on their way out. But what will players, coaches, and fans do if there’s nobody to yell at?

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