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Crime and Scandal


A Horseback Battle in Bridgehampton

Well-heeled Hamptonites are bridling at a proposed horse-riding complex—complete with a giant manure pit—amidst their multi-million-dollar estates. Will the neighs have it?

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Missing the Pointe In an interview, Timothée Chalamet dismissed ballet and opera as art forms “no one cares about.” Has he forgotten where he came from?


American Amnesia The screenwriter of Argo, which dramatized the daring exfiltration of six diplomats from Tehran in 1980, on what’s at stake in Iran today

Latest Issue • March 14, 2026
Issue No. 348
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Air Supply

For Your Consideration AIR SUPPLY’s Oscars edit channels Old Hollywood glamour: swizzle sticks from historic nightspots, Brown Derby coasters, Chateau Marmont key chains, Taschen’s Life. Hollywood for the coffee table, and a Carolina Herrera sequined gown for when sitting on the couch requires ceremony

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Lies My Father Told Me Journalist Tom Junod’s memoir In the Days of My Youth I Was Told What It Means To Be a Man searches for the truth behind his larger-than-life father—and the myth of American manhood

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The Making of Ai Weiwei A new book traces the artist’s beginnings in China, following the exiles he endured and the radical works he created along the way

When Uptown Met Downtown Fred Brathwaite—better known as Fab 5 Freddy—bridged the worlds of punk and hip-hop, graffiti and high art


Liza with a Zzz … A new memoir from the Oscar-winning performer withholds more than it reveals

To Florence, with Love Organized by his son, Christopher, an exhibition at Fondazione Palazzo Strozzi traces Mark Rothko’s career—and his enduring ties to the Italian city—with more than 70 paintings

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Guest Edit

Patrick McGrath’s Favorite Things The designer spent years at Ralph Lauren and Giorgio Armani learning what restraint actually looks like—then built a practice around it. Here, his picks: nothing obvious, nothing without intention, and nothing that won’t still make sense in 20 years

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L.A. Confidential From briefing Si Newhouse to smoking with Seth Rogen and Danny McBride, a former Vanity Fair editor looks back at the Oscar parties of yore

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